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She protects him, watches over him, even nags him as an older sister would, and when another girl joins the party to provide an older sibling role, she grows resentful of it. Having no name, Velvet dubs the boy Laphicet-the same name as her murdered brother. Later in the narrative, Velvet takes in a young boy, a servant of the Templars freed by her crew during a hurried escape.

Tv tropes the count of monte cristo free#

Velvet Crowe mirrors Edmond Dantes in many ways breaking free from a captive prison, stowing aboard a pirate ship to travel the seas searching for her transgressors, clinging to revenge as her sole remaining purpose in life. In Alexandre Dumas' work The Count of Monte Cristo, the eponymous count also faces an unrelenting thirst for revenge, and the unquenchable fire it creates that often has unintended consequences. It becomes apparent that your crew are not the good guys, or at least, are not cut from the same cloth as the idealistic heroes of old. Many of the party members that join you throughout Berseria have their similar vices, often embodied in a physical item like Eizen's coin or Rokurou's family heirloom, a sword he refuses to unsheath. In turn, she loses all taste for normal foods like apples or curry-she can only taste blood. She becomes a unique kind of demon, one that literally consumes life to sustain itself like a vampire, only rather than suck her victims' blood, she consumes their life-force with her giant, bestial left arm. Velvet is meanwhile consumed by her thirst of vengeance, taking corporeal form in her left arm.

The exorcists of the Abbey are ruthless but steadfast and rigid in their beliefs, adhering to a set of maxims created by Artorius. The Abbey, a theocratic order formed by Artorius during Velvet's time in prison, establishes strict rules and regulations on the populace, in exchange for protecting them from the dameonblight, a curse that turns people into monsters. Thematically, Tales of Berseria centers around the conflict of emotion and reason, between the ideal and the real. In contrast, Velvet Crowe is confident and determined, willing to set a city on fire or sacrifice the lives of fellow inmates to ensure an unobstructed path to her target. These characters would appear young, innocent, schoolgirl-esque and clumsy.

The moe culture that permeated anime for the better part of several years meant that many anime-influenced Japanese role-playing games, like the Tales series, had similarly moe designs. Velvet also marks a break from recent female JRPG protagonists. 'That's why we wanted to have Velvet as a main heroвЂ“it's the start of a new chapter.' 'To take a new step to the next decade of the Tales of series, we want to have new things that we haven't done before,' Fukaya told Wired. In an interview with Wired, Fukaya discussed the design process of Velvet and her role in the overarching Tales series. Producer Hideo Baba stepped into a supervisor role, with Yasuhiro Fukaya taking the role of producer. Velvet Crowe is the series' first solo female protagonist ( Xillia's Milla had to share the spotlight with counterpart Jude). Tales of Berseria is a departure from that norm, and is many ways a new foot forward for the series. 'So when we make a game we want to target our main fanbase.'

Tv tropes the count of monte cristo series#

'Our main target audience for the Tales franchise is still ultimately Japan,' said longtime series producer Hideo Baba in a 2013 interview with Destructoid. A long journey or pilgrimage, a character is embuedВ with an angelic or otherworldly power that also shortens their lifespan, a tomboy mage, a mentor figure who turns on you, and many other tropes populate the pages and beats of Tales' narratives. Tales games since have mostly fallen into a similar mold. One of the longest running Japanese role-playing game series, the Tales games date back to Tales of Phantasia in 1995 for the Super Famicom, where a young man Cress joins forces with a young priestess girl named Mint, on a quest to save the world from an evil sorcerer named Dhaos. For Tales of Berseria, and the Tales series as a whole, Velvet Crowe's journey for vengeance is a stark departure from an otherwise traditional thread. Playing the villain isn't a wholly revolutionary concept in video games recent games like Tyranny and Nefarious have done so, exploring the concept of playing as a member of the dark side. Only she knows what it cost, and regardless of the outcome, she has only one goal in mind: to kill the world's savior, to quench the rage building inside her and avenge her late and last remaining relative. She hears stories of the world's savior Artorias, whose ritual that night saved the world. She waits, feeding on less fortunate prisoners conspicuously dropped into her domain.